Slow Design in a Fast World
Monday, July 27th, 2009Allow me to introduce myself. Trained as a textile artist and fashion designer, professionally I am known as an executive in the world of retail. Retail is not particularly known for its dedication to Slow, but rather is a world which thrives on and requires speed to market. In my field it is all about knowing your customers and responding – quickly – to their needs. To counterbalance this addiction to speed, I have retained my connection to my training as an artist and have become a knitter – a serial knitter, in fact – throughout the past decade.
Thought by some to be the domain of grannies, knitting allows me to start something from the ground up, focus on the practice and the journey . It is amazing to start with balls of yarn and Slowly, Slowly, Slowly create something entirely different. You can carry that creation with you to multiple experiences, keeping the slow rhythm of knitting a constant during meetings, long plane rides, boring waits. Dr. Perri Klass, in her book Two Sweaters For My Father: Writing About Knitting knitted her way through medical school, much to the chagrin of her mostly male classmates. She claimed it kept her alert throughout lectures, a not-to-be-scoffed at accomplishment for sleep deprived residents. It also kept her balanced and focused on the lectures.
With knitting, if you make a mistake, unlike in the rest of life, you get to rip it out and have a makeover. The steady movement of your hands and need for counting stitches and rows provides a soothing counterbalance to chaos around and seems to allow true clarity of thinking. Instead of the mind wandering, the mind seems to focus while knitting. Some think we are not listening when we knit; I have been reprimanded for knitting while attending strategic planning conferences. Silly non-knitters. If they only knew.
This is my introductory post on the concept and practice of Slow Design. The posts will focus on artists who, whether they have named it as such, engage in Slow Design. Those who work in the media formerly known as craft exemplify Slow Design, with their dedication to the connection between the mind and the hand. Stitchers, ceramicists, glassblowers, furniture makers all practice the Art of Slow. As I learn from them, I shall pass it along.